Saturday, March 16, 2019
To His Coy Mistress Essay: Use of Sound -- His Coy Mistress Essays
Use of effective in To His demure Mistress          At first glance, Andrew Marvels poem To His Coy Mistress is a fairly typical carpe diem poem, in which the speaker tells his devout that they should seize the day and have sex now instead of delay until they are married. Today, the speakers speech may seem sexist in its bearing toward women and irresponsible in its attitude toward the coy mistress (the speaker doesnt explain how he would seize the day if the woman became pregnant, for example). Still, if we look beyond the special(a) perspective of the speaker himself, we can see that Marvell is making a line about how all of us (regardless of gender or involvement in kinships) should savor the pleasures of the moment. For the poet, there are two kinds of attitude toward the present (1) activities in the present are judged by their impact on the future, and (2) there is no future state--all activities occur in the present and can only be enjoyed or evaluated by their impact at that moment. The mistress would like to remand sex (theoretically until she and the speaker are married). The speaker wants to consummate their physical relationship now. Each viewpoint has its reasons, and certainly the woman in the poem would last to lose practically from premarital sex. Marvell, however, isnt suggesting that unbridled lust is preferable to incorrupt or ethical restraint sex is the subject matter, not the floor of the poem. Marvells actual point here is that instead of dividing our lives or our values into mathematically neat but artificial categories of present and future, we should savor the unique experiences of separately present moment to convey this theme, the poet uses irre... ...g up and slowing down time, the speakers irregularities of round create a melody that substitutes the rough spondaic meter for the swimmingly regular iambic tetrameter. By the time they have read (aloud) the completed poem, readers should be less concerned with the poems overall moral (or amoral) philosophizing than with its musicality. Marvell, after(prenominal) all, is writing a poem, not a work of ism. His use and and then subversion of conventional rhyme, rhythm, and meter, create a music that opposes both philosophy and anti-philosophy. Life, these irregularities remind us, exists in the here and now, not on the neatly carve up clock or calendar. We cannot tame the fact that life is followed by death, nor should we travail to do so through fantasizing about the future, but we can control each moment that we are alive each irregular, spontaneous, surprising moment.  
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